Author Archive
Comping, Schmomping, I Don’t Need No Stinking Comping!
There are many ways to record vocals but there are two major ways, each of which have their proponents.
1) is to record the vocal track(s) and then go back and have the snger punch in to try and fix any areas where the pitch or the feeling or the timing is off.
2) called comping, is to have the singer record half a dozen takes, one after the other, and then listen to each track and choose the great sections from each track and combine them into the final composited master vocal track.
There are pluses and minuses to both approaches:
With 1) it can be hard on the singer because he/she has to have more attention on getting it perfect plus when punching in it’s sometimes hard to get a good continuity of feeling.
With 2) there’s more work involved with comping, especially for the producer and engineer but usually a more relaxed (in a good way) vocal with more continuity of feeling.
I personally often like the comping approach but different producers, singers and engineers have varying views on this. What about you – which do you prefer?
Mastering Tips – What is Mastering and Why Should I Care?
Mastering is the combined science and art of taking a finished mix and tweaking it in ways that can range from adding a professional polish to really taking the mix to a whole new level. Sometimes the before and afters can be quite dramatic and what you thought sounded great before can tend to now seem somewhat flat and lifeless.
As Paul White from Sound on Sound magazine put it, "What many people don't realize is just how great a difference is made to commercial records at the mastering stage. Prior to mastering, you might be surprised at just how ordinary some mixes sound. "
The main mastering tools are compression, EQ and limiting and because of this there is something that you need to be very aware of when mastering and that is that these tools will raise the overall apparent volume of the mix and this alone can make the mix suddenly "sound better". It is important to be able to switch effects in and out in such a way that you don't get fooled by this artificial improvement caused just by raising the volume.
Read the rest of this entry »Free Virtual Drum Kit!
Virtual Drums is a free Virtual Drum Kit that you can download and play with your mouse either by itself or while listening to music. You can even do drum fills and rolls by using both mouse buttons. It’s fun
While you’re here, click the Community tab at the top of the page and get a sneak peek at the free beta community of musicians helping musicians where you can now create a profile page, make friends, upload your music, videos & photos, have your own blog, create groups, chat, create and be involved in discussion forums, post events and classifieds, network with other musicians, and much more!
You can download Virtual Drums PC version here and the Mac version here. Enjoy your new kit!
Treble Trouble and Marilu Henner’s Mixing Tip

One of the problems with long mixing sessions is that the ear very quickly becomes acclimatised to the amount of treble (high frequencies) and it is easy to succumb to the temptation to add more and more as the mixing continues. Then you listen to it later or the next day and go, "What was I thinking?". The data about about treble is also true of adding exciters which can get quite harsh and nasty if overused.
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